Glad you’re here! I’m video game composer Winifred Phillips. Last year, I participated in an online discussion session during a popular live-stream chat event hosted by Video Game Music Academy. The lively conversation that took place there seems worth sharing at this point. What follows is a partial transcript of the most substantive conversation from that hour-long session. I was interviewed by public school music teacher Daniel Hulsman. At the time, one of my projects had just released – the Spyder game for Apple Arcade – which had won a Global Music Award that year and was also nominated for a NAVGTR Award (pictured above). Much of the discussion focused on that project, but it also touches on my work in other games, and the topics broaden out to encompass more of the top issues pertaining to the craft of video game music composition. You’ll see that I’ve also included a few videos here and there to supplement the transcript and illustrate the discussion.